It would be impossible to plan Bobs murder to find the perfect time, place and space to erase him from the face of the Earth unless I knew the minutia of his life, and that will take surveillance. It could be something small like a habit, a hobby, a hygiene issue, an illness, a trinket or a porn stash maybe items they once bought, gifts they were once given or things they promised they had binned perhaps letters from lost loves, photos of missed friends and diaries full of their deepest secrets and regrets whether an affair, a trauma, a criminal past, or a love child no-one knew existed, until now. Research is vital, but before I choose a weapon, a method or a location, I need to understand the one variable which makes every plan unpredictable my target, Bob I may think I know him, but I dont. Most pre-meditated killers are tripped up by either by ego, arrogance, greed, or a basic mistake having failed to research their methods and their victims beforehand. So, I need to plan such a perfect murder that the Police wont even begin searching for a suspect, as they will assume that his death was either natural or an accident, but not foul-play. My name is Michael, I am a murderer, and this is How To Get Away With Murder. So, across this four-part series I shall be planning and executing the hypothetical murder of a fictional character called Bob soon he will be dead, I will be free, and no-one (except you good listeners) will be none the wiser. But the hard part isnt the murder, the real challenge is to get away with it. Using textstat for macīut that aside, I could easily end Bobs life in a jiffy by sprinkling his chips with cyanide, gluing his head to a steamroller and stuffing an insane quantity of illegal fireworks up his brown mouse-house and lighting the fuse. But fear not, as the murder is hypothetical, the victim is fictional and none of this will ever exist.
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